Showing posts with label American. Show all posts
Showing posts with label American. Show all posts

Tuesday, November 15, 2011

Native American Folklore

!: Native American Folklore

Native Americans have always been a diverse and intriguing people. Scientific evidence shows us that they had been living in North America for many years before the "discovery" of America. Their culture was rich and diversified with many different tribes, each with their own set of values, beliefs and practices. While each tribe was unique in different ways, there were many beliefs and customs that they held in common. Most of these tribes believed in one god or higher power of which was considered to be the source of all creation. They did not necessarily perceive this one power in the way that most other religions, such as Christianity, Judaism or Muslim, do in a human-like form. Instead, they interpreted this higher power as an all encompassing energy force or great light. In fact, many of these people worshiped the sun as a physical manifestation of the great and divine power.

Other beliefs that were commonly held amongst Native American tribes included the belief that every living thing, including all plants and animals, had a spirit. Even some non-living things such as rocks were believed to have a spirit. In some cases, the belief was that animals not only had spirits, but that these spirits embodied particular attributes of the higher power and that each person could have an animal spirit as their guide throughout life.

To determine which animal was a tribe member's personal guide, they were often required to spend time alone in the wilderness in fasting and prayer until they received a vision that revealed to them their animal spirit. This was usually done in early adolescence around the ages of 12 or 13 and these young people could spend many days on this quest which was considered a vitally important part of determining their future.

Many rituals were performed for great events and even for the everyday activities of life. Dances, songs and artwork were a vital part of these rituals which were performed before a great hunt or battle, to give thanks for a plentiful harvest or to pray to the Great Spirit for an end to drought or famine. These tribal people painted, carved, sculpted and sewed as a way of expressing their faith and their pride in their families and tribes.

Storytelling was also a rich part of these people's cultural beliefs. Stories were used to pass down historical events, teach lessons or just to entertain the tribe. Some stories were told of how animal spirits accomplished great feats and literally changed the shape of the earth.

Today, there are a great number of people fascinated with Native American folklore and culture. The works of many contemporary artisans exhibit a significant influence by the traditions of the Native Americans in designs of their southwestern jewelry, artwork and clothing. These artisans obviously believe that this is an important way to keep alive the rich and unique cultural influences of the past.


Native American Folklore

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Friday, November 11, 2011

Western Painting - Neo - Dadaism - Dadaism Revived the American Way

!: Western Painting - Neo - Dadaism - Dadaism Revived the American Way

Neo-Dadaism - The Concept
Neo-Dada is the term given to the mid 20th century, 1958 to be specific, art movement, including Fine Arts, literature, theatre, and graphic design, which was similar to the earlier Dada artworks. This genre challenged the concept of 'Aestheticism' associated with the traditional form of art and extended the boundaries of the category arts.

The History
In 1960, American art historian & critic Barbara Rose (born 1938) helped promote the term 'Neo-Dada.' The same year, another American art critic Irvin Sandler (born 1925) explained the term as "an avant-garde fad." Two years later, Neo dada was considered the most popular and talked about art movement. An alternate name 'Junk Culture' was also given by English art critic Lawrence Alloway (1926-90) to describe the artwork of the likes of American artists Robert Rauschenberg (1925-2008) and Claes Oldenburg (born 1929).

The Details
In the art mediums other than painting, like performance, dance, films, and Installation Art, Neo-Dadaists used their own bodies as the base. Even unsettling or threatening performances involving destruction, violence, and aggression did not deter them.

The Correlations
Neo-Dadaist works include the ones faring between Abstract Expressionism and Pop Art. The artworks themed on everyday life, visual philosophy, and/or spirituality, with a focus of depicting positivity and optimism in life. This inspiring art form came to people's notice towards the end of the Abstract Expressionist (origin 1950s) reign and dispersed as the other similar movements, such as Assemblage Art (origin 1950), Pop Art (origin late 1950s), Nouveau Realism (origin 1960), Happenings (origin 1957), Junk Art (origin 1960s), and Fluxus (origin 1960s), gained momentum. Neo-Dadaism formally ended in 1962.

The Artists
In 1958, the first bunch of artists were designated Neo-Dadaists. They were American artists Jasper Johns (born 1930), Robert Rauschenber, and Kaprow Allan (1927-2006). Marcel Duchamp (French - 1887-1968) and Kurt Schwitters (German - 1887-1948) are considered as the strong influences to the Neo-Dadaism. The versatile Robert Rauschenberg delivered exemplary artworks in right from painting to performance art to collage. He had challenged the modernist outlook of paintings, art, and sculpture as a spiritual journey and believed that there was no limit to creativity. He felt life was open to art. Owing to his revolutionary approach and disinterest in typical art style, formal art critics hated him.

Some other artists include Nam June Paik (Korean-American - 1932-2006), Joseph Beuys (German - 1921-86), Yoko Ono (Japanese-American - born 1933), Yves Klein (French - 1928-62), Jean Follett, Edward (American - 1927-94) and Nancy Reddin Kienholz (American - born 1943), and Jim Dine (American - born 1935).

Recently, the term Neo Dadaists was used to refer to an international group of art performers from Kroesos Foundation, led by Mark Divo. In 2002, they took over the origin point of Dadaism, Cabaret Voltaire in Zurich. They displayed their artworks there, until they were evicted on Mar 02, 2002.


Western Painting - Neo - Dadaism - Dadaism Revived the American Way

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Thursday, October 27, 2011

Collectibles Edition of Book with Plate - Perillo Artist of the American West

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The plate built into the cover of this hard-to-find collectible edition book is taken from a self-portrait oil painting of Perillo. The book is bound in synthetic leather with gold printing...very attractive. A beautiful addition to your Perillo collection.

  • Author & Artist - Gregory Perillo; Co-Author - Stephen DiLauro
  • Approx 7" Vague Shadows collector plate built into cover
  • Plate titled: The Apache Brave, 1981 -Edition Limit of 3,000
  • 256 Page book with Many Color Pictures of Perillo artwork
  • Large Book! - Approx 11" x 12 3/4"

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Thursday, October 20, 2011

American Automotive Artists

!: American Automotive Artists

Since automotive design is basically an artistic endeavor, art has always been a part of automotive life. However, for many years automotive art was the product of design studies, design departments of automobile manufacturers, or aligned with automotive advertising. Automotive fine art did not exist as a separate art genre. However there were a few car lovers who happened to be artists and enjoyed painting cars simply because they loved the subject matter. But for an artist to be successful, there must be a market. And there were automotive enthusiasts who were interested in buying art. So in 1983, a group of six artists received invitations to display their works at the Meadowbrook Concours in Detroit. During this exhibition, these artists decided to form an alliance devoted to exchanging ideas and keeping current on trends in automotive art and so the Automotive Fine Arts Society was born. The artist credited with founding this society is Ken Eberts who has been its president since that time. Ken is recognized as one of the world's leading automotive fine artists. He originally worked in the design department at Ford Motor Company. Then in 1968 he embarked on a second career in automotive fine art. Since then, his works have appeared in magazines, on Christmas cards, posters, and book covers. Ken also has an interest in architecture and many of his automotive works include an automobile set against the backdrop of an interesting building. He has been a two-time winner of the Peter Helck Award and the Richard Teague Award for the 'body of work that best exemplifies the spirit of the automobile.'

Bill Neale is also a member of the Automobile Fine Arts Society. In addition to automobiles, Bill paints the people associated with the industry such as drivers and owners. Bill has an aviation background and both cars and airplanes are often featured in his compositions. Bill's work has appeared in all of the prestigious automotive magazines such as Road & Track, Car & Driver, and Automobile Magazine. He has done posters for many Automobile Concours d'Elegance and other automobile events such as the Monterey Historic Races, Houston Classi-Chassis and Carroll Shelby Nationals. He is the poster artist for the Colorado Grand Rally. He is also the recipient of numerous awards from Europe, the United States and South America including the prestigious Peter Helck and Athena awards.

Jim Dietz is another contemporary artist who paints automobiles. However, Jim is a historical artist who specializes in aviation and military subjects as well as automobiles. Jim is a graduate of the Art Center College of Design. He began his career in art as an illustrator doing automotive ads, movie posters and book covers. But in 1978 he changed from commercial illustration to historical art. In 1997, Dietz won the Stanley Wanlass Award for 'excellence in strength of design and composition echoing the spirit of the automobile' at the Meadow Brook Concours d'Elegance. He also won a Peter Helck Award in 1999 and 2,000 at the Pebble Beach Concours' d'Elegance. In addition, he has received numerous other awards for his aviation and military art. Like Neale and Eberts, he represents the best of a new genre in art.


American Automotive Artists

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Wednesday, March 9, 2011

Introduction to Native American artist Virgil Ortiz

Virgil Ortiz, an artist of national reputation of the American Indians from Cochiti Pueblo in New Mexico. He works in a variety of media to ceramics, fashion, design, furniture and fixtures to comic books and even film production. All his works are bold and exciting, while still insightful social commentary.

The real heart of the art of Virgil is in his ceramics. started from a famous family of Cochiti potters including parent Seferina Ortiz, 40 years of work with VirgilTon at the age of 6 years. Virgil is probably best known for his ceramic figures angular, his contemporary take on traditional ceramic figures called monos from Cochiti end of 1800th in the late 19th century, as the Cochiti are in frequent contact with foreign non-native Speakers began, they have created Monos this as a mockery of all that was strange to non-natives, are widely used for accent features such as mouths large in numbers. Virgil, of course, took his own figuresto see many more steps in a brave sometimes shocking, as most recently this figure Virgil Ortiz.

American Artist

In addition to his figures, Ortiz also created ceramic bowls in his own Cochiti Studio. His glasses are beautiful paintings, often of Native American male and female characters. These characters are, in fact, a recurring theme in his work. The female Virgil Ortiz on a glass shown, for example, could one of Virgil T-shirt or in a balloon. Although theVirgil core of his art pottery is still rare. It does not create more than 20 per year.

Introduction to Native American artist Virgil Ortiz

Knowing that art and culture so often go hand in hand, Virgil Ortiz has worked hard to bring the excitement Cochiti Pueblo artistic tradition. He also has a non-profit organization dedicated to the mother tongue alive under established Cochiti children with discussion of producing a video game that uses the language of Cochiti.

Introduction to Native American artist Virgil OrtizWizards of Waverly where adventure Division 3 1 8 Assignment Video Clips. Duration : 7.62 Mins.


Alex meets Mason, a transfer student from England, and start today. He is perfect in every way except for his vision of art, dogs, and the parts of American history. Alex looking for him and more Americans of water balloons at people (rude), and laughing in appreciation (and make fun of clothes Laritate Mr. Harper's). For him a better artist, Alex picks up its doing a spell on her artistic inspirations for new Mason.Meanwhile, Justin trains to search for the mummy, which has gotten out of Juliet, so Jerry wears Justin, where we see behind Justin do not have to look into the eyes of the mummy and his minions are activated. As it turns out that the spell of Max together monster running loose in an attempt to sabotage moron Monster cast Justin Hunt is one of the mummy monster escaped said Max is indirectly responsible for the kidnapping and death of Juliafrom all the other monster hunters.

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Tuesday, March 8, 2011

American Artist

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For over 70 years, all levels of artists, from professional to beginner, have turned to American Artist for ideas and inspiration to improve their craft. American Artist offers a unique combination of respected editorial, in-depth profiles in our multi-topic issues, and numerous informative columns.

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Saturday, March 5, 2011

Introduction to Native American artist Virgil Ortiz

Virgil Ortiz, an artist of national reputation of the American Indians from Cochiti Pueblo in New Mexico. He works in a variety of media to ceramics, fashion, design, furniture and fixtures to comic books and even film production. All his works are bold and exciting, while still insightful social commentary.

The real heart of the art of Virgil is in his ceramics. started from a famous family of Cochiti potters including parent Seferina Ortiz, 40 years of work with VirgilTon at the age of 6 years. Virgil is probably best known for his ceramic figures angular, his contemporary take on traditional ceramic figures called monos from Cochiti end of 1800th in the late 19th century, as the Cochiti are in frequent contact with foreign non-native Speakers began, they have created Monos this as a mockery of all that was strange to non-natives, are widely used for accent features such as mouths of large numbers. Virgil, of course, took his own figuresto see many more steps in a brave sometimes shocking, as most recently this figure Virgil Ortiz.

American Artist

In addition to his figures, Ortiz also created ceramic bowls in his own Cochiti Studio. His glasses are beautiful paintings, often of Native American male and female characters. These characters are, in fact, a recurring theme in his work. The female Virgil Ortiz demonstrated in a glass, for example, could one of Virgil T-shirt or in a balloon. Although theVirgil core of his art pottery is still rare. It does not create more than 20 per year.

Introduction to Native American artist Virgil Ortiz

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Our table top tripod easel offers everything our full size display easels offers, just in a compact size. No matter if you want to display sign boards, books, or your favorite piece of art, you will get the same versatility with this convenient size. Easel features 24 inch tall tripod and adjustable 17 1/2 inch tray. Manufactured from clear walnut stained fir. Assembly required.

Knowing that art and culture so often go hand in hand, Virgil Ortiz has worked hard to bring the excitement Cochiti Pueblo artistic tradition. He also has a non-profit organization dedicated to the mother tongue alive under established Cochiti children with discussion of producing a video game that uses the language of Cochiti.

Introduction to Native American artist Virgil OrtizAmber Davis - Back Into You (Official Music Video) HQ Video Clips. Duration : 4.40 Mins.


Follow: Twitter: twitter.com Facebook: www.facebook.com Note: doour best promote the world's largest OPM. If your copyright is being infringed by this feeling of loading, please just message me and I would point out, fits the description to ensure proper credit, write songs, etc.: pick up the pieces of our broken memories There one I can let go of that keeps me on my knees See I know it's half my fault that we could not stay together, but we said no matter what we're still friendsAs always, you turn and just go and leave me standing so cold Now you want to work it out tell me what it's all about how this could get and move on like what you had for me Now you want it But baby I'm more * Chorus * Tryin on my way back to you when I think about how you left me (me) the girl is not easy, but I try my way back to find you when I think of you, have moved on Baby it is so hard I never quit my love for you baby that's the truth too difficult for meon, if I feel compelled to much for you (for you), I know, sometimes we have our own space for children ok, but if you really loved me Why are you so tell me how How could you turn and just go and I leave when I was standing so cold Now you want to work it out tell me what this could all move forward on how to get there and so what you had for me Now you want, but my baby, I'm * Chorus * Tryin to find a way to back to you when I think about how you left me (me) the girl is not easy, but I...

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Saturday, May 29, 2010

Five stones used in Native American jewelry.


Image : http://www.flickr.com


What comes to mind when we think about Native American, and specifically Southwest, jewelry? Turquoise, of course, but Native American jewelry, usually created in sterling silver, makes liberal use of many kinds of natural stones. We're going to look at 5 of the most popular.

1. Turquoise
Of the many gemstones used in Native American jewelry, turquoise remains the favorite. The gorgeous sky blue, robin's egg blue, light and dark turquoise and even green colors evoke the Desert sky and come from deposits in Arizona, California, Montana, New Mexico, Nevada and Utah. Natural turquoise can be solid in color, or be combined with brown, gold, white, and other colored minerals. The bluer colors of turquoise come from association with copper, and the greener shades from iron. There is a vast variety of colors and mineral mixes, something for every taste.

2. Coral
Also called Red Coral or Red Branch Coral, the intense red color complements turquoise and other colored stones. Made from collections of hundreds of tiny animals growing on the sea bottom, red coral was originally found mainly in the Mediterranean Sea. Pink coral comes from the Pacific Ocean.
How did coral make its way to the American Southwest and become an integral feature of Native American jewelry? We'll leave that mystery for another time.

3. Lapis Lazuli
Deep blue, often with gold flecks, lapis is one of the few rocks that is used as a gem for jewelry. Many ancient cultures believed that lapis lazuli had magical powers. Today, you'll see brilliant blue lapis with Sterling Silver. Lapis is easily scratched, and should be cleaned only with a soft, dry cloth. Denim Lapis is a lighter bluish-white form of lapis lazuli. Some Lapis Lazuli comes from Afghanistan

4. Onyx
The typical onyx stone is black as night, and polished to a high shine. When mined, it may have bands of white, black, brown or red. Treatments of heat, sugar and/or acid can turn onyx a uniform black color. It's used mainly in settings, as it may chip or scratch easily, and not for carving or inlay work.

5. Malachite
Light to rich dark green, malachite sometimes had bands of darker and lighter shades of green. The bands may form concentric rings. Polished, banded malachite is worn as jewelry and is carved into ornaments and figures. It's often found with blue Azurite, and sometimes the two colors mix or band together, forming "Fa - malachite, malachite jewelry, often used in African American native

What your needs and other stones. Many beautiful designs to choose jewelry and beauty of Native American rock in place to cherish and appreciate.

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Friday, May 21, 2010

American Audio Radius 1000 Table top CD player. Vid 1

American Audio Radius 1000 Table top CD player. In this video i give a demo of a cool feature. This is video 1 and over the next week i will be uploading more demo/ tutorials on this player. www.djtutor.com toon is Love tribe " Stand up" on a&m shout out to Lloyd YT user name jahovia11 all the best dude!" j Specifications - Plays MP3, CD & CD-R discs - Midi software compatible (Control up to 8 MIDI channels at once) - Display shows track titles and artist from ID tags when played - Advanced cueing with track searching by frame - Quick MP3/CD recognition, Track and Folder Search - Advanced Track Search: Search for a new track while one is playing - 'PowerTouch' advanced digital scratching (with adjustable sensitivity) - 2 Scratching modes: Digital Scratch mode, Beat Juggle mode - Tempo Lock - Instant Start - 9 On-board FX: Scratch, Filter, Echo, Trans, Skid, Phase, Flanger, Pan, Bop - 6-inch (150mm) Jog Wheel with LED Cue marker and adjustable LED effects - 3 mode Jog Wheel: Normal, Scratch, and Auto Cue Scratch(Great for Beat Juggling) - Time & Ratio adjustment for digital FX - FX sync adjustment - Red LED Visual marker display: Reference point to view where the disc is playing - Digital BPM Counter: keeps digital FX in sync with music - TAP Button for manual BPM - Anti Shock (10 sec.) - Smart loop: Automatically measures your loop; Fader 'Q' Start - Independently adjustable Pitch Bend (up to 100%) - Sleep Mode (Adjustable in increments of 5 - 120 minutes) - 3 Flash Start ...

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Monday, May 10, 2010

Great American Artworks Carmen (Masstone)

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Great American Artworks Click on the photo of each color below to view a larger picture and pricing. These excellent pastels are handmade in the United States. Their creator proudly calls them "The Best Pastels on the Planet." They have a wonderfully smooth texture that falls between Unison and Diane Townsend soft pastels. Like Diane's pastels colors may vary slightly due to the fact that they are mixed by hand. Colors are available in 6 or 7 dilution strengths from a pure masstone to a very light tint. There is a unique selection of middle tones that are perfect for both portrait and landscape work. Each color family has been given a distinctive name such as Chlorophyl (bright green) Dragonsblood (burgundy) and Neptune (deep blue). Great American Pastels are extremely brittle and delicate. It is rare to find even one stick that is perfect. Most sticks arrive to us with cracks and chips but most pastelists are willing to overlook these imperfections to get their unique colors and their incredibly soft sticks. Just donât expect a perfect stick because they truly are rare.

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Tuesday, April 27, 2010

African American Artists - William H. Johnson - Going to Church Poster Print by William H. Johnson, 25x19

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Saturday, April 17, 2010

Great American Artworks Chlorophyll Tint 1

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Great American Artworks Click on the photo of each color below to view a larger picture and pricing. These excellent pastels are handmade in the United States. Their creator proudly calls them "The Best Pastels on the Planet." They have a wonderfully smooth texture that falls between Unison and Diane Townsend soft pastels. Like Diane's pastels colors may vary slightly due to the fact that they are mixed by hand. Colors are available in 6 or 7 dilution strengths from a pure masstone to a very light tint. There is a unique selection of middle tones that are perfect for both portrait and landscape work. Each color family has been given a distinctive name such as Chlorophyl (bright green) Dragonsblood (burgundy) and Neptune (deep blue). Great American Pastels are extremely brittle and delicate. It is rare to find even one stick that is perfect. Most sticks arrive to us with cracks and chips but most pastelists are willing to overlook these imperfections to get their unique colors and their incredibly soft sticks. Just donât expect a perfect stick because they truly are rare.

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Wednesday, April 14, 2010

European Barn Owl and an American Barn Owl, Lincoln, Nebraska Artists Photographic Poster Print by Joel Sartore, 30x40

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Tuesday, April 6, 2010

American Impressionists in Old Lyme, Connecticut.


Image : http://www.flickr.com


What art lover can get enough of the impressionists? Not Emsworth, certainly, despite his vow to partake of more solid fare, and so last weekend found us in Old Lyme, Connecticut treating ourselves to a second generous helping of American impressionists this summer.

Old Lyme is home to the Florence Griswold Museum, the only museum I know of devoted solely to American impressionism. For a decade or two, beginning around 1900, a number of painters, including Childe Hassam and Willard Metcalf, came each summer to stay at Florence Griswold's boarding house and to paint in the congenial and picturesque surroundings of Old Lyme. Metcalf depicted its classy facade in one of his best-known paintings, May Night.

The boarding house is no longer the home of an art colony, but instead a small, unpretentious museum. The gardens have been nicely restored, a new gallery building (sadly devoid of architectural interest) was erected several years ago, and a good (though narrowly focused) art collection has been assembled.

The show that now fills the new gallery spaces (through July 27, 2008) consists of American impressionist paintings from the Terra Foundation. These were painted by Americans working from about 1885 and into the 1920s in Giverny, of all places, the French town where Claude Monet lived and tended his celebrated garden with its Japanese footbridge and lily pond.

These young Americans must have been quite a nuisance to Monet and his family. One of them, Theodore Butler, succeeded in marrying Monet's step-daughter, Suzanne Hoschede, an event memorialized in Theodore Robinson's painting The Wedding March, which is part of this show. Several of Butler's own paintings, which did not especially appeal to us, were also on display. Willard Metcalf, who collected birds' eggs (on display in this exhibit!), managed to be hired to teach botany to Monet's son and stepson.

Still another American, John Leslie Breck, apparently tried and failed to marry another stepdaughter, Blanche Hoschede. Breck surely did his best to curry favor with the girl's stepfather; he joined Monet in painting those tiresome haystacks. One wall of the galleries was wasted on a dozen small haystack studies by Breck.

But we did enjoy a large and impressive pastoral landscape by Breck entitled Autumn, Giverny (The New Moon), which shows the influence of Barbizon painters Jean-Francois Millet and Jules Breton. Everyone in our party agreed, however, that Breck had devoted too much of the canvas to the foreground.

The show in Old Lyme has a satisfying set of works by Theodore Robinson, some of which brought to mind paintings by Ernest Lawson we had recently seen in the exhibit from the Phillips Collection in Rochester. For example, Lawson had a habit of putting bare tree limbs in the foreground of a landscape as a sort of screen for the rest of the painting. Robinson's earlier painting, Winter Landscape, done in 1889, used the same device.

Lawson's work is characterized overall by the use of thickly applied, jewel-tone paints. But Theodore Robinson apparently used this technique first, as evidenced by my favorite of the Robinson pictures in this show, Pere Trognon and His Daughter at the Bridge.

The highlight of the show for me was a wall of several paintings by my favorite American impressionist, the bold colorist Carl Frieseke, who produced his best work in the second and third decades of the twentieth century while Matisse and Picasso were taking modern art in quite different directions. In Frieseke's Lady in a Garden, the stripes on the lady's dress become indistinguishable from the reeds through in which she is standing; she becomes one with cultivated nature.

For an art museum junkie who cares about American art, and Emsworth stands at the front of that line, the Florence Griswold Museum is worthy of regular visits for its excellent permanent collection. Most of that collection is, unfortunately, in storage when the museum has a traveling exhibition like the present one from the Terra Foundation occupying its new exhibition space. However, highlights of the collection, including this quintessentially impressionistic work by Childe Hassam, can be seen in the first- and second-floor rooms of the old boarding house. A particularly pleasing painting by William Chadwick shows the veranda of the boarding house as it was when Chadwick, Hassam, and others have worked with hundreds of years ago Khan, kitchen with painted panels of the denizens of the art colony back in the day.

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Thursday, April 1, 2010

Understanding Modern Art - American Painting, Color Field.


Image : http://www.flickr.com


The extraordinary artistic movement known as American Color Field Painting both continued and challenged prior esthetic traditions. Beginning in the late 1950s and continuing through the 1960s, this movement influenced the entire world of art.

American Color Field Painting was a combination of shared revolutionary techniques and unique individual solutions to the traditional problems and considerations of artistic expression. This new type of art reevaluated traditional pictorial elements including naturalistic perspective, color use, the function of line and shape, and the role of formatting.

Although individual Color Field painters developed distinct modes of expression, they shared a common emphasis on color as a central aspect of painting. They also shared a rejection of the contemporary focus on the conscious social and political responsibilities of art. Their love of materials and their joyous and strenuous endeavors to redefine the boundaries of art are among their exceptional contributions to the ongoing evolution of modern aesthetic values.

Four of the major legacies of the Color Field Painters were an emphasis on the infinite potential for variations in light and color; the practice of creating multiple interpretations, known as a series, on a single theme; the relentless pursuit of the dual identity of art as both illusion and reality; and the use of landscape elements. These legacies were an extension of the practices begun by the Impressionists almost a century before.

The Impressionistic emphasis on distinct patches of solid color was carried to an extreme by Color Field painters like Kenneth Noland who created concentric rings of color in his "target" series. The scientific approach to color that was prominent in the 19th century asserted that a pure color placed next to another color will result in a more dramatic optical effect than colors that have been muted through traditional shading And impressions of favorite American Impressionists innovation Field. Color for painters to study the phenomenon of different colors in deep and easy to use. Part of them could pave the way for free - flowing to the beautiful paintings that focus on one element rather than trying to re-image the world around us.

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